Skip to main content

An Objection to Merchants of Cool

I generally found Merchants of Cool to be quite insightful, but on one point I found it rather hyperbolic. One of the experts interviewed as part of the documentary compared American teens to Africa and the corporations marketing to them to European imperialists. The essential problem with this analogy is that modern teens can choose not to be exploited. The inhabitants of Africa could not simply decide to not be affected by Western conquest, but to a degree we can choose to do exactly that. The mook will always exist as a stereotype in media marketed to teenagers, but I can (and do) choose not to watch that media. (In my case this really isn't even that difficult, as I find the kind of media inhabited by mooks to be quite boring). Likewise, the fact that what is fashionable is chosen by a few large corporations doesn't really matter to someone (like me) whose clothing decisions don't factor in what's "cool" on any given day. It's certainly possible to be exploited by the corporate advertising juggernaut (and many teens are) but it's also possible to escape from it. Most of the entertainment media I consume are webcomics, podcasts, Youtube videos, etc. which have very little direct influence from large corporations. Even when I do watch movies or TV shows, I deliberately avoid those that perpetuate the stereotypes created by companies in their quest to define teen culture. In short, we as the consumers do have the ability to defend ourselves from the commercialization of culture (and the class for which I'm writing this is a significant help in that regard), and it is our choice whether or not we exercise this option. We are being exploited, but it is entirely within our power to avoid this exploitation.

Comments

Popular posts from this blog

Why You Should Watch Steven Universe

(Originally written for the McClatchy High School Feminist Coalition zine) In the first episode of Steven Universe , the primary conflict faced by the titular character is that his favorite brand of ice cream sandwich has been discontinued. By the most recent, he and his allies are confronting the ruthless dictator of a galaxy-spanning empire. Along the way, the show demonstrates creative animation, intricate worldbuilding, deeply complex characters, excellent music, and the best plot twists I have ever encountered. However, Steven Universe may be most innovative in how it approaches gender. The show’s high proportion of female characters is the most obvious manifestation of this, but even its male characters usually invert or critique conventionally gendered expectations. Before delving into those subversions, a summary of the show’s premise: Steven Universe is a Cartoon Network show created by Rebecca Sugar about a group of magical aliens called the Crystal Gems who defend ...

The Mediocre Gatsby

The best protagonist I have yet to encounter in any work of fiction is a character named Taylor Hebert from a web serial called Worm . An introverted teenager with the ability to telepathically control bugs, she becomes a supervillain fairly early on and proceeds to commit a wide variety of morally questionable acts over the course of the story, inflicting unnecessary harm in her desire to seem intimidating and eventually killing several people in an ultimately unjustified bout of rage. However, despite all this Taylor remains a sympathetic and even sincerely relatable character. While her actions are often extreme, they are always performed in service to sympathetic goals, backed by understandable reasoning. The reader can imagine themselves making the same decisions if they were placed in the same situation. The same cannot be said of Jay Gatsby, protagonist of F. Scott Fitzgerald’s novel The Great Gatsby . His behavior systematically eliminates his appeal to the reader, lessening th...

How Not to Make an Audience Care

I recently watched Thor: Ragnarok , the latest in Marvel's seemingly endless torrent of superhero comedy/action movies. While I generally enjoyed it (at least compared to other films in the same genre), I found myself rather bored during many of the scenes which were intended to be the most dramatic. The movie puts an enormous amount of effort into epic music, gratuitous explosions, and intricately animated fight sequences, but many of its action scenes just felt like something to be waited through until something more interesting happened. In fact, I think you could cut out a solid 10 minutes of absurdly acrobatic duels and massacring of minions and the film would't actually lose anything of value. Now, I should say that I am not bored by all action scenes. For example, Mad Max: Fury Road  managed managed to keep me on the edge of my seat, and that movie is probably around 50% giant explosions. So what exactly did Thor: Ragnarok lack? After a fair amount of thought, I have...