I generally found Merchants of Cool to be quite insightful, but on one point I found it rather hyperbolic. One of the experts interviewed as part of the documentary compared American teens to Africa and the corporations marketing to them to European imperialists. The essential problem with this analogy is that modern teens can choose not to be exploited. The inhabitants of Africa could not simply decide to not be affected by Western conquest, but to a degree we can choose to do exactly that. The mook will always exist as a stereotype in media marketed to teenagers, but I can (and do) choose not to watch that media. (In my case this really isn't even that difficult, as I find the kind of media inhabited by mooks to be quite boring). Likewise, the fact that what is fashionable is chosen by a few large corporations doesn't really matter to someone (like me) whose clothing decisions don't factor in what's "cool" on any given day. It's certainly possible to be exploited by the corporate advertising juggernaut (and many teens are) but it's also possible to escape from it. Most of the entertainment media I consume are webcomics, podcasts, Youtube videos, etc. which have very little direct influence from large corporations. Even when I do watch movies or TV shows, I deliberately avoid those that perpetuate the stereotypes created by companies in their quest to define teen culture. In short, we as the consumers do have the ability to defend ourselves from the commercialization of culture (and the class for which I'm writing this is a significant help in that regard), and it is our choice whether or not we exercise this option. We are being exploited, but it is entirely within our power to avoid this exploitation.
As you probably remember (if you're in Mr. Starace's class at least), Ms. Heitz semi-recently gave us this article explaining what magical realism is and how it differs from fantasy. As I read it, I became more and more irritated, finally deciding that I needed to write something demonstrating how it is emblematic of a significant problem in how those who analyze literature view certain genres. Luckily, I have a blog where there is a possibility that someone might actually read my rant on the subject, so here are my thoughts on why magical realism is not a distinct literary genre, but a category of fantasy literature. Literary critics, wanting to feel more discerning than the average reader, are loath to ascribe literary merit to popular "genre fiction": fantasy, science fiction, mystery, horror, etc. They were thus presented with a conundrum when a new style of writing arose in Latin America. It was full of supernatural elements, and thus fit the standard defi...
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