Skip to main content

It's Not Fantasy, It's "Magical Realism"


As you probably remember (if you're in Mr. Starace's class at least), Ms. Heitz semi-recently gave us this article explaining what magical realism is and how it differs from fantasy. As I read it, I became more and more irritated, finally deciding that I needed to write something demonstrating how it is emblematic of a significant problem in how those who analyze literature view certain genres. Luckily, I have a blog where there is a possibility that someone might actually read my rant on the subject, so here are my thoughts on why magical realism is not a distinct literary genre, but a category of fantasy literature.

Literary critics, wanting to feel more discerning than the average reader, are loath to ascribe literary merit to popular "genre fiction": fantasy, science fiction, mystery, horror, etc. They were thus presented with a conundrum when a new style of writing arose in Latin America. It was full of supernatural elements, and thus fit the standard definition of fantasy, but the critics actually liked it. However, they couldn't possibly admit to liking fantasy, so a new genre was created: "magical realism." In order to justify this distinction, the literary world asserted that while the supernatural elements in fantasy were purely speculative, if those same elements appeared in magical realism they were actually just representations of reality. The article we received in World Literature contains a particularly obvious example of this, when the author states, "If there is a ghost in a story of magical realism, the ghost is not a fantasy element but a manifestation of the reality of people who believe in ghosts and have 'real' experiences of ghosts." In other words, for the purposes of magical realism ghosts are real, but if a ghost appears in a work deemed to be fantasy it is not real. In addition to my annoyance at this double standard, I take issue with the author's apparent belief that reality is defined by people's experiences. Ghosts do not actually exist, and the fact that some people think they do does not make a book about ghosts "realism," just as Lord of the Rings would not suddenly become realistic if I had a hallucination of a hobbit and decided that such creatures actually exist.

I will conclude with an example: magic (which I feel compelled to remind the reader is not, in fact, real) is much more present in The House of the Spirits than in A Song of Ice and Fire, yet the former is considered "realism" while the latter is relegated to the dustbin of "speculative fantasy." Both are basically about life in a certain historical period and place (20th century Chile and medieval Britain, respectively) and both include supernatural characters and events. Thus, I ask you: What precisely makes them so different as to belong to entirely separate literary genres?

Comments

Popular posts from this blog

Starman

(This poem may make more sense if you’ve seen what it’s about. If you haven’t, you can search for “Falcon Heavy Test Flight” on YouTube and skip to around 21:30 in the resulting video.) On the launch pad The first Falcon Heavy stands Fog flows from its three towering cores Jets of water rise in salute At the fire which kindles in their midst Surging smoke pours out from under, expanding outwards The rocket ascends Riding a tail of incandescent white Soaring into the wide blue Both boosters fall away Spinning and plummeting back Two pillars of steel pierce the sky from above And settle to Earth amid rings of flame Lines of glowing red stripe the upper engine’s smooth, wide nozzle The payload’s walls blast away In a blinding blaze of reflected sunlight A convertible drifts through the void Our planet’s reflection oozes across the car’s polished red surface A spacesuit is driving One arm draped over the side, it looks forward And flies off into...

Unconventional = Good

Anyone who analyzes enough entertainment media quickly begins to notice a few patterns. Every story has a (usually white and male) protagonist who, along with his band of supporting characters, faces some kind of conflict, defeats the villain, and lives happily ever after. This is (an oversimplified summary of) the Hero's Journey, that pervasive force which consigns so many stories to the dustbin of sameness. This common theme makes all media somewhat similar, but within specific genres there are many more of these similarities, so much so that one quickly realizes that the vast majority of stories are just a bunch of prefabricated parts assembled in a predictable order with a new coat of paint slapped on to trick people into thinking its something different. For evidence of this, I direct you to go to  TV Tropes , an incredible database of fictional tropes (common elements found in many different pieces of media). Once you're there, find the page of a movie you like and scroll...

Media and I

When I think of media, several related but distinct concepts spring to mind. Most obviously, the word refers to social media and news media, but in reality it encompasses any means of conveying a message to many people, and thus deeply affects the life of anyone living in a modern society. As I am part of such a society, I am greatly influenced by the barrage of media to which I am exposed. While it is an integral part of my life, the type of media I consume is relatively atypical. For example, I barely use social media. My forays into that thicket have so far been confined to using Twitter for the singular purpose of following  @RealTimeWWII  and creating a Facebook account in order to join a group chat. This form of media has thus not yet significantly affected me, though this may well change in the future. The news media, on the other hand, is quite important to my thinking, as it provides the majority of the information I use to formulate opinions about the world. As I...