Skip to main content

Breaking the Shackles of Ancestry



I very recently had the good fortune to watch Star Wars: The Last Jedi, and while there were a host of things I liked about the movie, there was one which especially stood out: the identity of Rey's parents. Now, if you haven't seen the movie yet, please go do so before reading the rest of this post. It really is excellent and will be better the less you know about it going in (I purposefully did not watch any previews or trailers beforehand, and that definitely enhanced the experience).

Now that you've returned (or have already seen the movie, or just don't care about spoilers) I will continue. In The Last Jedi, it is revealed that Rey's parents were... (drumroll, please)... not named characters, but a pair of inconsequential nobodies who sold her to buy alcohol. Yes, that's right, Rey is not descended from anyone important. It may strike you as odd that I would be so excited by this, so I will endeavor to explain why it's one of the better parts of the movie's plot.

Throughout Star Wars (and movies in general) tremendous value is placed on one's heritage. Luke is strong with the force because his father was strong with the force, Harry Potter can use magic because his parents could use magic, and so on. Even the movie Coco, which at the beginning appears to be about rebelling against family expectations, turns out to follow this trend as well. Miguel is a great musician because (spoiler alert) his grandfather was a great musician. In the world of media, one's abilities are dependent on their ancestry.

However, a brief glance at history will show that this is very rarely the case. Countless brilliant monarchs have had incompetent, lazy, or simply insane heirs. The children of great artists, leaders and scientists rarely accomplish as much as their parents. Thus, it was immensely gratifying for The Last Jedi to break with this unrealistic cinematic trend by making the primary protagonist and eventually titular character have great power despite her humble heritage. Aside from being unconventional (which in the case of stories is almost always good), this decision on the part of the writers replaces the aristocratic message that one's worth is based on the status of their parents with a message of empowerment and makes The Last Jedi more spectacular than it already was.

(Actually, I suppose it is possible that this is all just a trick and Rey really is descended from someone important. That sure would be disappointing. I guess we'll just have to wait two years to find out.)

Comments

Popular posts from this blog

It's Not Fantasy, It's "Magical Realism"

As you probably remember (if you're in Mr. Starace's class at least), Ms. Heitz semi-recently gave us  this article  explaining what magical realism is and how it differs from fantasy. As I read it, I became more and more irritated, finally deciding that I needed to write something demonstrating how it is emblematic of a significant problem in how those who analyze literature view certain genres. Luckily, I have a blog where there is a possibility that someone might actually read my rant on the subject, so here are my thoughts on why magical realism is not a distinct literary genre, but a category of fantasy literature. Literary critics, wanting to feel more discerning than the average reader, are loath to ascribe literary merit to popular "genre fiction": fantasy, science fiction, mystery, horror, etc. They were thus presented with a conundrum when a new style of writing arose in Latin America. It was full of supernatural elements, and thus fit the standard defi...

A Song of Ice and Fire: Storytelling as Worldbuilding

This post is part of a series which I hope to write in the relatively near future, documenting pieces of entertainment media which I currently view as significant influences on the way I view what makes a story good. Beyond simply serving as writing practice, the purpose of these is largely so that in future years I can look back and laugh at the things I thought were so important when I was in high school (or be shocked by my prognosticative powers, I suppose, though that seems less likely). I'm putting the series here for the moment because it fits in fairly well with some of the media blog posts I did for Mr. Starace and doing so reduces the number of places I'll need to look to find my past writings in the future. Anyway, on to A Song of Ice and Fire (which [just in case someone else is reading this] is the low-magic fantasy epic by George R. R. Martin which was adapted into the HBO show Game of Thrones. ) The primary reason why A Song of Ice and Fire (which I will hence...

Spring, Herald of Doom

(Note: This was written for school last year, but I figured I might as well put it here.) In winter, all was good and cold. Crisp air made walking nicely brisk. Skies overcast with murky grey, Gave pleasant rain to those below. But spring, a green assassin, creeps, And slays the clouds with sunlight spears. Their corpses fall, and soon are dew, To feed this vile season’s verdant minions. The sun lets loose its baleful gaze, Like a cruel tyrant smiting from on high. Horrific heat weighs down the weary people, No more clouds left to shield them from the rays. But even worse, whenever spring comes along, The dreaded summer will be upon us before long.